Running frantically wild, frenetically chased,
by an unnamed loved one,
through alien jungle.
Each leaf and branch super enlarged as though I am made miniature.
In an overgrown, enlarged plantation, unfamiliar.
Thrashing away each bright green plantation,
to escape, or not to be found.
A pounding desire to be left alone,
To be lost in this jungle.
Then I give up, or am found or accept they follow.
So I stop, and so they stop.
And I lead them to last night’s feast of roast chicken,
That I cooked over camp fire.
I watch them eat. They gorge.
They are starved.
So new to this entrapment game.
So hungry now.
As I watch, I hear the booming mind of the entrapper.
Do I wish them to join, in perpetual chase, or to remain alone?
Song of Los by Apparat, my head’s soundtrack.
Black Mirror S4 E4, my mind’s inspiration.
(A final line is omitted by the author.)
What u doing tomorrow?
Wanna come walk the dogs with us?
Not decided what’s for tea. Anything u’d like?
The dishwasher slurps. There’s a chill in our rented-but-for-free-from-a-mate newly refurbed Soho apartment. Not sure how to readjust the heating. So feet will have to stay chilled. Coffee’s on. That’ll warm me up. Trace is in bed. Dozing. Not quite ready to face the day.
London is getting up to a Monday morning again. A new build next door is having its aluminium fire-escape stairs delivered, unloaded by gloved hands from a fleet of flat-bed white vans. From the window, more white vans, more high vis vests. Deliveries for the start of another new week.
It’s snowing. In London. Carefree, drifting flakes at first, then a steady stream, as though joining the white vans and behooded walkers on their way to work.
About this time two years ago, I remember feeling normal.
I’d been to the gym, I was on my way to a kick-off meeting with a new client, I’d discovered a new album, the weather wasn’t so bad. I was driving Mario-the-Mini to collect points on the young drivers black box, for Izzy’s return. A Friday, I was thinking about what to do at the weekend. I called Trace.
Then, later that morning, on a Virgin train to Leeds central, around noon, my world came crashing in.
And After began.
The sharp shingles dig into my ribs and smack me awake.
There are smaller, softer monochrome pebbles that ease the pressure of the larger, sharper, blackened rocks, as though, by age, they have lost their sharpness as well as their colour. The gentle sound of the ocean’s undulations surround me. I’m wet through and half submerged in water.
I crawl out, barely able to lift myself. Exhausted. Confused. On terra firma, albeit a bed of black and grey shingles and jagged rocks. How long have I been here? Where have I come from to be here? Where is here?
After a while I manage to lift myself out of the water and onto the shingle shore, so that only my feet and shins are still immersed in the blue black sea.
I take a moment to rest my cheek on the rocks and then strain to lift my neck and look behind me, from whence I’ve come. All I can see is a faint line dividing the blue black of the sea and the blue grey of the sky. Nothing else. No boat, no wreck, no sign of life, nothing other than an endless line of ocean and sky.
I pull myself up onto my hands and knees, edging upwards, dragging my knees and the rest of me up to standing. I wobble, find my balance, and stand still.
I look ahead of me. And then up. And up. And up.
In front of me is an immense tower, a block of grey white cylindrical concrete rising out of the shoreline of grey black shingles and rocks. It has a tip, high above me and, as I try to focus my tired, sea salted eyes, I see the shimmer and pulse of a light.
I slip and stumble up a gentle incline, my feet sinking in as the pebbles shuffle and rearrange, making way for my weight. Not far up the monochrome beach, I come face to face with the lighthouse and I joyously plant both my hands firmly onto the comforting, man-made concrete.
I press my cheek against its cold rough surface and breath in. Whatever this is, wherever I am, it has to be better than an endless ocean and sky.
I start to edge my way around the outside of the lighthouse, not letting either of my hands off the gritty surface. As I manoeuvre around, I look around me and realise the lighthouse is standing alone on it’s own tiny island, surrounded by sea and sky and nothingness.
Then my hand comes across a sharp vertical edge. A frame. A door frame. I stand back for a moment, letting my hands go of the surface of the wall. I stare at a wooden, meticulously painted panelled door. Its hinges are brass, as is its solitary, round handle.
I move my hand towards the handle and grasp it. I turn it and it loosens the frame and I feel the weight of the door pulling towards me.
I step inside.
There’s an inner space, a sort of outer casing to the building that surrounds an inner, pure white wall. Directly ahead of me is a steel door, a lift door. There’s a button. I glance to either side and see the inner wall running around the core of the building. I take in the smell of chilled, stale air, of a space that’s not been opened for a long time. I press the button.
A shift, a buzzing and a whirr of movement above me. The lift descends, pauses for a moment and the door slides opens. I step inside a tiny steel lift. There’s only one button. I press it.
A repeating buzz and whirr and a jolt and the lift ascends.
A shudder and the lift comes to rest. The door opens and I step inside a room, in the top of the lighthouse.
There’s only one object in the room. It’s the familiar wooden frame of Izzy’s bed and her brown duvet, ruffled, dishevelled and slept in. My eyes begin to feel with tears as I edge closer to her bed.
She’s there. Curled up in her pillows. Asleep.
I sink to my knees.
It felt like she’d been in her room too long. She was napping, as ever. And I couldn’t gauge her mood, as ever. Too quiet, at the very least, too sleepy – she’d miss the takeaway and the shit, slumbersome TV we always shared and laughed through.
Both Beth and Molly were home for the weekend. In my dream, I was looking for some shampoo I didn’t want her to take away with her.
So I climbed up the stairs to the attic rooms shared between her and Molly – the space we’d move to, to give them space.
But as I turned the stairs, banister in hand, it turned into the the banister of the loft room of my parents house. The loft room was my safe place, all mine – the trade-off for my brother having the big bedroom and me the box room. It was my haven, away from the everyday stress and strain of angst teenage life. A closed door, music, solitude, guitars. Sometimes darkness.
I felt myself speed up in anticipation, double jumping the final few stairs. I so wanted to see her and get her to come downstairs and share the shit TV.
I expected the usual mess of assorted cutlery and cast aside clothing, remnants of multiple friends sharing pre-loading drinks and after, sharing intimacies and slumber. I was worried she might think I was being critical. I wanted her to know I wasn’t. I wouldn’t tidy up. I just wanted her to come downstairs and share shit TV.
I walked in.
Beth was sat quietly on the chair of my childhood – a cream, padded steel-framed Habitat chair. After I left home, my dad used to sit on it, listening to trad jazz CDs. It’s long gone now.
She was sat there, quietly, doing nothing in particular, but doing something, quietly mending something, sewing, making.
She was still, calm, like she wanted to be alone, but at the same time, happy to be disturbed.
So I thought I’d push through her solitude by messing about, fooling around – my default for changing a mood.
I realised my guitar was there. And there was music playing. Stirring, Icelandic post-rock. I picked up my guitar, but realised it wasn’t mine. It was a right-handed Gibson (I’m left handed, I have a Gibson copy) and its middle two strings were missing, making it doubly hard to play.
None the less, I sat down – I don’t recall where – and started to play.
Beth seemed fine with my intrusion on her solitude and to my musical accompaniment, despite the groans and moans she’d usually make when I played guitar. So I flicked the switch on my old valve amp. I played right-handed, with strings missing, but amazingly, the sound and the chords I made perfectly accompanied the music in the room.
Beth nodded approvingly.
Then she looked up, raised her eyebrows and looked directly, quizzically but playful at me.